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Citaat:

The film, "Max," breaks with cinematic precedent by depicting the young Hitler as an emotionally poisoned man, but nonetheless human, and even sympathetic in his longing for recognition as a struggling and impoverished artist in the postwar Munich of 1918. While scores of biographies and history books have presented fully dimensional portraits of Hitler, no major movie until now has offered anything more than a cartoon picture of the 20th century's apogee of evil: we have seen him on the screen only as a ranting and wild-eyed hysteric.

Lees meer: http://www.salon.com/ent/movies/int/2002/09/09/cusack/

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