Het grote noise luustertupac

[]{ing]

rykers - brother against brother\rykers - 07 - beg to differ

[Back Door Man]

sonic youth - kool thing.

[Reserv]

Senses Fail - Save Yourself

[]{ing]

teebee - deceive

[Idioteque-je]

Autechre - Slip

[wann]

Guns 'N Roses - Rocket Queen

[aLackofColor]

Alexisonfire - Watch out!\02. Control

[niña]

Whitney Houston - I will always love you
*snotter*

[wann]

Guns 'N Roses - Out Ta Get Me

[Snuitermans]

Hope Of The States - The Lost Riots\01 The Black Amnesias.mp3

Een tip voor A Silver Mt. Zion fans.

[wann]

Guns 'N Roses - Paradise City

[SjappieExtra]

jobcrusher - vivisicktion

[wann]

Guns 'N Roses - Think About You

[Hakuna]

Lopen momenteel twee luistertopics, maar toch staat er maar een CD op.

PINK FLOYD ,a momentary lapse of reason, 1987 (EMI)

[capibara]

Kbal Soundsystem - Stereotommy mixje

[TommytheCat]

Nile - User-Maat-Re

[Sleeping Liar]

Audioslave- Like a stone

Kool and the gang - Celebration.

[Sleeping Liar]

NOFX- The separation of church and skate

01. Autechre - [Tri Repetae #01] Dael [8:06]

[Mennuz]

Lord Gore - Brainfucker

[capibara]

Ik luister naar een stel ventilerende macs. Oude kraakpiepsteuncomputers zijn leuker.

http://granfaro.blogspot.com/2005/04...m-perfect.html

hopppa, hier wat clips aan het checken. 622 in totaal, meeste werkend!

[antigone]

british sea power - how will i ever find my way home

Type O Negative - White Slavery

Dre + shady - forgot about dre

Type O Negative - Who Will Save The Sane?

Type O negative - Creepy Green Light

[Spazz]

Michael Jackson - Beat it

municipal waste - knife fight

[Drez]

Emery - The Ponytail Parades

bad brains - banned in dc

Napalm Death - Silence Is Deafening

Napalm Death - The Great And The Good

Napalm Death - Pay For The Privilege Of Breathing

Ambient spul op Digitally Imported

[Back Door Man]

interpol - slow hands.

Beastie Boys - Rhymin & Stealin

Karlheinz Stockhausen - Kurzwellen

[NERD]

AE [Untilted #01] - LCC

The Cure - Love Song

[Spazz]

From Ashes Rise - Nightmares LP



''There is something to be said about keeping things simple. Nashville, Tennessee hardcore outfit From Ashes Rise play a ferocious brand of punk rock that finds much of its power in its stripped down presentation. Ripping through 12 songs in just over 30 minutes, Nightmares is a vicious beast of an album. From Ashes Rise keep the songs short and simple, but these pared down tunes don't skimp on power.

The crushing sound of Nightmares can be credited to producer Matt Bayles. The mastermind behind metal and hardcore acts such as the Blood Brothers, Isis, Mastodon, and Botch, Bayles's clean, yet thick production greatly enhances the compositions of From Ashes Rise. The drums thunder, but it's the guitar work of Brad Boatright and John Wilkerson that shine here. Like galloping horses, they enter the speakers screaming, tightly reigning in these ferocious songs.

From the opening notes of "Reaction", From Ashes Rise lay out the course for the next half hour. Blistering guitars and raw vocals will be par for the course. Though this territory has been covered excellently by legendary bands His Hero Is Gone and Tragedy, From Ashes Rise still manage to sound vital and relevant. Where these bands rarely deviated from their two-minute framework, From Ashes Rise admirably try and change things up from time to time.

"The Final Goodbye" has an excellent minute-and-a-half introduction that quickly segues into the speed punk From Ashes Rise do so well, before moving into an excellent closing third act. At just over four minutes, it is From Ashes Rise's longest song, but almost one of their most well thought out. "The Inner Beast" nicely plays with some intelligent quiet-to-loud dynamics; "The Mandate" finds guitarists Boatright and Wilkerson offering up some of their best guitar interplay and the band even offers up a brief instrumental with "The Interlude".

Lyrically, the band addresses the state of the world, and lay their frustrations bare. "The Final Goodbye" scathingly critiques blind loyalty to one's religious beliefs: "The claim of the priests and the holiest clerics is that god is a master to serve without / Question or real consequence / So they forge their weapons / And they hammer their plowshares into swords / Waiting for the final goodbye". "They spin in the sky their web of wires / They launch their toys to be the new towers / They send their children to scorch their brothers / And all is done by the fortunate sons as they unleash the dogs of war", the band screams on the self-explanatory "They".

When From Ashes Rise signed to Jade Tree, they received a fair bit of criticism from the punk underground. If anything, a larger budget has allowed the band to record an album that is crisp, yet relentless. Their politics remain intact, as the entire record is an unblinking, unforgiving look at political structures. My early music listening days were bred on likeminded hardcore and punk bands, and Nightmares is classic in sound, yet contemporary in feel. Fans of abrasive and thoughtful punk rock need to go out and make Nightmares a part of their record collection. ''

Blacklist - With the broken wings of icarus

Die Jan heeft wel een stem zeg goed te pruimen.

[funest]

dilute - the gypsy valentine curve\02 arrows pointed down

[antigone]

papas fritas - guys don't lie

Beck - Black Tambourine

[Snuitermans]

Labraford - Mi Media Naranja\Labradford - Mi media naranja - 02 - G.mp3

[]{ing]

Spazz schreef op 20-04-2005 @ 14:24 :
From Ashes Rise - Nightmares LP

[afbeelding]

''There is something to be said about keeping things simple. Nashville, Tennessee hardcore outfit From Ashes Rise play a ferocious brand of punk rock that finds much of its power in its stripped down presentation. Ripping through 12 songs in just over 30 minutes, Nightmares is a vicious beast of an album. From Ashes Rise keep the songs short and simple, but these pared down tunes don't skimp on power.

The crushing sound of Nightmares can be credited to producer Matt Bayles. The mastermind behind metal and hardcore acts such as the Blood Brothers, Isis, Mastodon, and Botch, Bayles's clean, yet thick production greatly enhances the compositions of From Ashes Rise. The drums thunder, but it's the guitar work of Brad Boatright and John Wilkerson that shine here. Like galloping horses, they enter the speakers screaming, tightly reigning in these ferocious songs.

From the opening notes of "Reaction", From Ashes Rise lay out the course for the next half hour. Blistering guitars and raw vocals will be par for the course. Though this territory has been covered excellently by legendary bands His Hero Is Gone and Tragedy, From Ashes Rise still manage to sound vital and relevant. Where these bands rarely deviated from their two-minute framework, From Ashes Rise admirably try and change things up from time to time.

"The Final Goodbye" has an excellent minute-and-a-half introduction that quickly segues into the speed punk From Ashes Rise do so well, before moving into an excellent closing third act. At just over four minutes, it is From Ashes Rise's longest song, but almost one of their most well thought out. "The Inner Beast" nicely plays with some intelligent quiet-to-loud dynamics; "The Mandate" finds guitarists Boatright and Wilkerson offering up some of their best guitar interplay and the band even offers up a brief instrumental with "The Interlude".

Lyrically, the band addresses the state of the world, and lay their frustrations bare. "The Final Goodbye" scathingly critiques blind loyalty to one's religious beliefs: "The claim of the priests and the holiest clerics is that god is a master to serve without / Question or real consequence / So they forge their weapons / And they hammer their plowshares into swords / Waiting for the final goodbye". "They spin in the sky their web of wires / They launch their toys to be the new towers / They send their children to scorch their brothers / And all is done by the fortunate sons as they unleash the dogs of war", the band screams on the self-explanatory "They".

When From Ashes Rise signed to Jade Tree, they received a fair bit of criticism from the punk underground. If anything, a larger budget has allowed the band to record an album that is crisp, yet relentless. Their politics remain intact, as the entire record is an unblinking, unforgiving look at political structures. My early music listening days were bred on likeminded hardcore and punk bands, and Nightmares is classic in sound, yet contemporary in feel. Fans of abrasive and thoughtful punk rock need to go out and make Nightmares a part of their record collection. ''

meesterwerk

eaves - höhenangst\06-momentaufnahme

[]{ing]

yaphet kotto,this machine kills,envy\01. the fall - yaphet kotto