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That's what happens when you look, lady. Now you're a salt pillar, and all the deer are gonna lick ya.
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maar ooziewoozie. ik stop hiermee, want we komen zo nergens. en je kan me toch niet overtuigen van mijn ongelijk. is alles wel goed met jou en stefenootje? waarom zijn jullie opeens zo? of is dat van tevoren afgesproken ofzo? |
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That's what happens when you look, lady. Now you're a salt pillar, and all the deer are gonna lick ya.
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edit: Oh lol, jouw post is van anderhalf uur geleden.
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♥ - I miss all the places we never went. -
heddegijdagezeetgehadmindedawerklukwoarhoedoedegijdahoedoedegijdahoeheddegijdagedoan |
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pff tentamen wist maar 3/5 vragen. En bij 1 vraag wist ik niet wat converteerbare obligaties waren en bij de andere vraag kwam ik er gewoon niet uit, maar ik heb een mooi verhaal opgeschreven dat wel waar is, maar wel erg specifiek is en het was de bedoeling om het algemeen te houden
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Niccolò Paganini was born in Genoa, Italy, on 27 October 1782, to Antonio and Teresa (née Bocciardo) Paganini. According to his biographer Peter Lichtenthal, Paganini first learned to play the mandolin from his father at the age of five, and quickly moved to the violin by the age of seven, and began composing before he turned eight. He gave his first public concert at the age of 12. In his early teens he studied under various teachers, including Giovanni Servetto and Alessandro Rolla, but he could not cope well with his success; at the age of 16 he was gambling and drinking. His career was saved by an unknown lady, who took him to her estate where he recovered and studied the violin for three years. He also played the guitar during this time.
He reappeared when he was 23, becoming director of music to Napoleon's sister Elisa Baciocchi, Princess of Lucca, when he wasn't touring. He soon became a legend for his unparalleled mastery of the violin, with debuts in Milan in 1813, Vienna 1828, and both London and Paris in 1831. Paganini was one of the first musicians, if not the first, to tour as a solo artist, without supporting musicians. He became one of the first "superstars" of public concertizing. He made a fortune as a touring musician, and was uncanny in his ability to charm an audience. A pervading myth about Paganini is that he sold his soul to the Devil in exchange for his fearsome technique, a rumor which he delighted in and may have even started himself. During a performance his eyes would roll into the back of his head while playing, revealing the whites. His swaying stance, long unruly hair and thin, gaunt stature would add to this rumor. He played so intensely that women would faint and men would break out weeping. Paganini's only violin he ever owned is known as the Cannone Guarnerius violin, its name given by Paganini to reflect the "cannon" sound it produced. Its strings are nearly on the same plane, as opposed to most violins, the strings of which are distinctly arched to prevent accidentally bowing extra strings. The stringing of the Cannone may have allowed Paganini to play on three or even four strings at once. In Paris in 1833, he commissioned a viola concerto from Hector Berlioz, who produced Harold in Italy for him, but Paganini never played it. His health deteriorated due to cancer of the larynx. The disease caused him to lose the ability to speak, but he played his violin until his final hours. The last night before his death it is said he could be heard improvising wildly on his violin. He died in Nice on 27 May, 1840. He left behind a series of sonatas, caprices, 6 violin concerti, string quartets, and numerous guitar works. Ze zouden er zo een film over kunnen maken. |
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Paganini variations van Philip Wilby.
Meerdere variaties zijn gecomponeerd rond het 24e Cappricio van Paganini. Er zijn meerdere muzikale stijlen, van romantisch via somberheid naar spetterende blijheid waarbij het thema steeds behouden blijft. Ik vond het een leuk stuk om te spelen ![]() edit: Ik weet ook alweer wanneer we het gespeeld hadden. Dat was bij het WMC.
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Keep breathing. That's the key. Breathe.
Laatst gewijzigd op 31-10-2007 om 15:41. |
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FZ: Bizarre!
Suzy: Bizarre . . . ha ha! No-one could ever understand our bizarre relationship because I was your intellectual frigid housekeeper. Especially when you'd be going to bed with one chick at night and I wake up in the morning and find another one there, screaming at me . . . ha ha . . . Asked me what the fuck that chick was doing in your bed and I'd walk in and you weren't with the same one you were in the night before. Oh, I'll never forget that, as long as I live. That house, well it had your shit all over . . . and we had a cat and we had fleas and we had lots of crabs that we proceeded to give to everyone in Laurel Canyon except for Elmer and Phil, because they were too sick to ball . . . ha ha . . . Elmer has a mentality of approximately One Peanut. Possibly. As a matter of fact, I can remember Elmer telling me that you really had a lot of talent, but he didn't see how anyone could ever make it that insisted on saying FUCK on stage. And he used to drive by in his gold Cadillac and peer in the window . . . ha ha . . . 'Cause he never could get over the amount of groupie status that, that you had and he didn't. Possibly because he's 50 years old and wretched . . . FZ: HA HA HA! Ik heb het weer te verduren. ![]() |
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