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Citaat:
Rascisme is gewoon ......(vul zelf maar in)
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We went to a fight and a football game broke out.
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[AvatarDraw(c) v1.0 is uit de lucht (en per ongeluk van mijn hardeschijf verdwenen tijdens het weggooien ervan
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Iedereen die zelf een mening heeft kan ik respecteren ook al ben ik het mischien niet met hun mening eens...
Maar jammergenoeg heb je ook een hoop "wannebee's". Van die gasten die maar een beetje meelullen en meelopen met de rest omdat ze het "stoer" vinden. Ze verneuken vaak de "scene" van de "echte" mensen die wel een mening hebben. Gaan bv lopen rellen op feesten ed. Nou aan die mensen heb ik dus wel een hekel. De rest kan ik gewoon respecteren om het feit dat zij zelf weten waar ze voor staan. (nogmaals ook al ben ik het mischien niet altijd met ze eens)
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Whats Wrong With My Brain.....
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Mja. Ik heb zelf een slechte ervaring met zgn. nazi-skinheads en ben dus niet graag bij die mensen in de buurt. Ook vanwege hun mening waar ik me niet echt in kan vinden dus dat zou dan al gauw op een meningsverschil uitlopen waarbij ik mijn eigen mening uit angst voor weer geweld niet zou durven te uiten.
Maar niet elke skinhead is een nazi en niet elke skinhead is agressief, dus.. Citaat:
Hoe het ook zij, hoe erg je het ook met een (groep) mensen oneens bent, je hebt nog altijd te maken met mensen. Pas op dat andermans haat de jouwe niet wordt, probeer daar boven te staan.
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The surest way to corrupt a youth is to instruct him to hold in higher esteem those who think alike than those who think differently - Steve Jobs
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Citaat:
En mensen, ik heb het hier dus niet over kerels met een kale kop die verder geen vlieg kwaad doen, alleen gewoon een kaal hoofd mooi vinden. Dan ben je geen skin. |
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The first wave
The skinheads of the late ‘60s were an outgrowth of the Mod culture, influenced by the Jamaican immigrant Rudeboy culture. Mods were a product of working-class British youth of the mid-sixties. They dressed nicely, almost effeminately, usually wearing expensive suits (sharkskin and tonic were – and still are – very popular) as well as high priced Fred Perry polos, Ben Sherman button downs, Lonsdale sport clothes, and harrington or sheepskin jackets. For this reason they were sometimes accused of emulating the middle class (not unlike many poor and working class teenagers of the US today who spend their cash on $175 sneakers). Mod girls cut their hair short and were as obsessed with appearance as their male counterparts. The girls favored heavy eye makeup and pale lipstick. Unlike the Rockers, another subculture of the same time period, mainstream Mod culture exhibited some gender equality. There were outgrowths of Mod culture, including Scooterists, who rode fine Italian scooters, usually Vespas and Lambrettas, decorating them with mirrors and shiny accessories, as well as Hooligans, who associated in gangs centered around a particular football team and waged violent gang warfare on the football terraces of England. Another outgrowth was the Hard Mod, or Skinhead. Skinheads were the Mod kids who were more interested in looking tough than in following other Mod pursuits (such as art, architecture, and all things shagadelic). They were the Mods who went out and got menacing buzz cuts and added a few more things to their wardrobe. These Skinheads were sussed – they still wore the suits and other Modernist clothing as mentioned above when they went out at night, but they also wore American made Levi Jeans and Alpha Flight Jackets, thin suspenders (braces) and Doc Marten boots during the daytime. This gave them the harder, more working class appearance that eventually distinguished them from Mods altogether. Skinheads listened to the music of the immigrant Jamaican population – the Rudeboys – which was chiefly Ska and Rocksteady (precursors to modern Reggae). By day, Skinheads went to school and to work (if they could find a job, that is – unemployment in Britain was high, and many kids went on the dole straight out of high school). By night, when they weren’t looking to find trouble, doing what any street gangs of the time would do for kicks, Skinheads went into the Jamaican dancehalls and listened to the latest in imported Ska tunes. Mods used amphetamines, Rudeboys smoked marijuana, Skinheads drank beer. As with the Mods, the Skinhead girls dressed like the Skinhead boys, cut their hair short, and got into just as much trouble (relatively speaking – trouble for a girl and trouble for a boy had different definitions then). Rude girls, Skinhead girls and Mod girls also wore mini skirts – a new fashion trend of the ‘60s which at the time was considered liberated, yet also risqué, and largely dissaproved of by conservative adults. By the early ‘70s, Skinheads were being seen on the streets less often than they had in the summer of 1969. As the Mod kids of a few years before had cut their hair and became Skins, the Skinheads were now growing their hair out and substituting loafers and belts for boots and braces. They were the Suedeheads. They went to dancehalls, got married, and grew up. The second wave By 1977, the phenomenon of Punk Rock, which had been growing in the UK scene since the early ‘70s, had exploded into the mainstream British world. It was rebellious, wild, and rough around the edges. Once again, there were tough kids on the streets of the UK. But it wasn’t before long that middle class kids picked up the sounds of the streets and made I their own. Punk Rock became an icon of the college campus, and the original revolt had lost its meaning. Then, there was a backlash. Streetpunk, labeled “Oi!” by the Skinhead and Sun journalist Gary Bushell for its high powered sound, emerged from the streets of London. This was Punk for the working class kids. This was the music that brought Punk back to the streets where it belonged. Along with the Streepunk trend came a revival of Skinheads. The old Skinhead values – of being tough and working class – were applied to Punk. A few of the original 1969 Skinheads had come back around, but the majority of Skinheads in 1979 had never even heard of Ska or their Mod/Rudeboy roots. The remaining original Skinheads criticized this new breed because they lacked the fashion style of Skins of the past – while original Skinheads wore blue jeans and wife-beaters during the days, they managed to dress in the best Fred Perry and Ben Sherman shirts they could afford when they went out at night. This second wave of Skinheads were not so stylish – they stuck to the uniform of Levi jeans, work boots, braces and flight jackets. For this, they were called “Bald Punks” by some, but just plain trouble by most. In the United States, Skinheads were even further removed from their past roots. In New York City another backlash to Punk Rock was born: Hardcore Punk. Hardcore, like Streetpunk, brought the music back to the kids of the streets. And the Skinheads loved it. New York City Skins of the early ‘80s had never heard of any Ska or Oi! bands. There were thousands of them, far outnumbering the Punks. They didn’t wear Doc Martens or Fred Perry. Just Levi Jeans and work boots, styles borrowed from the Punks. Both Oi! and Hardcore Skins held working class Punk beliefs, but were never into the wild, attention getting clothing that gave shock value to the Punks. No leather jackets, pink mohawks, or studded belts for them. Just T-Shirts and blue Jeans most of the time. These Hardcore Skins were more violent than their contemporaries, the Punk Skins, in the UK (youths of the US as a whole were more violent overall at this time). As criminals, both groups were probably worse than the original Skins of 1969. Then, something happened. Politics infiltrated the Skinhead scene, and the world was forever changed. In the UK, groups like the National Front had been recruiting Skinheads as footsoldiers for their right wing ideals. The original Skinheads of the late 1960s were by no means anti-racist angels from heaven. As were most working class whites in the UK at the time, most Skinheads were pretty bigoted by today’s PC standards. They listened to Jamaican music and went into black dancehalls, but still referred to blacks as “darkies,” and used other derogatory slang. However, they did support working class ideals common to left wing politics, and were not right-wing. They were definitely not Nazis, either – the UK of the ‘60s still bore the scars of the Second World War, and any patriotic UK citizen (as most all Skinheads were) took pride in being anti-Nazi. But then, history was re-written. A group of Punks formed a band called Skrewdriver, and put out an album that to this day influences Streetpunk sounds. A year later, the singer reformed the band and suddenly they were a Skinhead band. Racist, politically motivated Skinheads. Coming out of nowhere, they claimed to represent the entire Skinhead scene with their music and way of life. Nobody who knew Skinheads liked Skinheads. They were trouble makers and street thugs. But even in 1984, nobody would have called them racists. Then, one day, a few twisted, racist Skinheads appeared on the Donahue show. Combined with the efforts of Skrewdriver (who worked so hard to make the world believe that Skinheads were racists above all else), the American media made Skinheads into monsters. Suddenly, everyone thought Skinheads were racist. This bad reputation killed the Skinhead scene in most cities (by this point it had spread to major cities all over the US, the UK, and Europe). A few Punk and Oi! bands stuck around, but most of them broke up. Oi! shows were rare, and many young neo-nazis began calling themselves Skinheads. The third wave By the mid ‘90s, Skinhead was strong again, and that strength continues today. Many of the American and British Skins who first shaved their heads in the early ‘80s reappeared, back with more force than ever. 15 year old Punks across the world shaved their heads, too, and a new Skinhead scene was emerging. Skins of today are a mix of the Mod/Rudeboy Skins of the late 1960s and the Punk/Hardcore Skins of the early 1980s. They listen to everything from Roots Reggae to modern HC – as well as Ska, Rocksteady, Reggae, Rockabilly, Old Wave Rock, Punk, Oi!, Hardcore, ever Brit Pop and Rap. Some are Traditional, only identifying with the original Skinhead roots. Others only listen to Oi! or HC. But most appreciate all aspects of Skinhead history, including the style the Mods, Scooterists, and Hooligans. Note: This thing isn’t finished - I still need to go back and add names of bands and quotes and shit, but this is the basic idea of Skinhead history. I probably have a few details wrong here and there. If you have any questions or comments, send me an email. Echte skinheads zie je tegenwoordig niet meer en iedereen denkt ook dat skinhead voor nazi staat [ Tegenwoordig weten ze niet beter meer meestal zijn het ook nazi's nu ] maar zo is het nooit begonnen ...
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I haven't lost my mind , I know exactly where I left it.
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Citaat:
belachenlijk lachwekkend altijd als iemand stoer over iets komt praten en geen flauw benul blijkt te hebben waarover het gaat... oh ik en de rest ook ongetwijfeld vinden je enorm stoer dat jij met racisten omgaat trutje ![]()
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Met de vlam in de pijp scheur ik door de Brennerpas,Met m'n dertig tonner diesel, ver van huis, maar in m'n sas *Henk Wijngaard groupie*
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Niet elke skinhead is een racist.
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The surest way to corrupt a youth is to instruct him to hold in higher esteem those who think alike than those who think differently - Steve Jobs
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En zeg ik dan dat ik het stoer vind? Nee, dat zeg ik niet. Ik probeer alleen duidelijk te maken dat racisten ook aardig kunnen zijn. Ik snap niet waarom je je nou zo aangevallen voelt. |
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Citaat:
Maar dan moet je wel zo 'stoer' zijn om over je eigen mening heen te stappen.
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dressed-up, messed-up, young, sexy, drunk and dirty.
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Ach meid, hij komt heus wel over je heen..!
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en ik voel me niet aangevallen ik erger me dood aan mensen die maar wat blaaten over zaken terwijl ze er eigenlijk niet zo heel veel van af weten...
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Met de vlam in de pijp scheur ik door de Brennerpas,Met m'n dertig tonner diesel, ver van huis, maar in m'n sas *Henk Wijngaard groupie*
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