01-09-2003, 10:07
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He forum users,
Wie kent hier Aphex Twin. Hij is nogal bekend van de clips come to daddy en windowlicker. Verder heeft hij hele goede en grappig, maar vooral aparte muziek gemaakt. Wat vinden jullie van hem?
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De uitvinder van het woord 'dus' is een genie. Punt.
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01-09-2003, 10:42
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Iedereen hier kent hem. Hij schijnt ook een nieuwe cd gemaakt te hebben onder een andere naam.
Ik vind hem erg goed, zeer knap hoe hij dit voor elkaar krijgt.
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01-09-2003, 10:45
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01-09-2003, 10:54
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De uitvinder van het woord 'dus' is een genie. Punt.
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01-09-2003, 10:54
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Citaat:
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De uitvinder van het woord 'dus' is een genie. Punt.
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01-09-2003, 11:05
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01-09-2003, 11:07
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Vind wel goed wat hij doet. Maar ik kan er helaas niet al te lang naar lusiteren. Het is simpelweg niet mijn ding.
Hij heeft echter wel een behoorlijke stempel gedrukt op die tak van elektronische muziek. Dat waardeer ik wel. Trouwens: hoeveel heeft die gast wel niet uitgebracht? Echt stapels platen.
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Never judge a book by its movie.
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01-09-2003, 11:07
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Citaat:
Zou je mij de naam kunnen geven waaronder hij die nieuwe cd heeft uitgebracht?
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De uitvinder van het woord 'dus' is een genie. Punt.
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01-09-2003, 11:08
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Citaat:
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De uitvinder van het woord 'dus' is een genie. Punt.
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01-09-2003, 11:09
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Ik heb het ergens gelezen, als ik het weer terug vind post ik het. Kan alleen de Smojphace E.P. vinden. Die is uitgebracht na het mix album. http://www.aphextwin.nu/disco/release.php?release=989
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01-09-2003, 11:12
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Of kijk gewoon op de site van Discogs voor een volledig overzicht: http://www.discogs.com/artist/Aphex_Twin
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01-09-2003, 11:17
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De uitvinder van het woord 'dus' is een genie. Punt.
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01-09-2003, 12:08
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AFX ruled zwaar.. Ik heb zelf 4 CD's van em, hij doet gewoon iets wat geen ander doet.
Squarepusher komt soms aardig in de buurt, is ook zeer vermakelijke muziek..
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01-09-2003, 16:03
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Heb op lowlands Come To Daddy gekocht, moet nog ff luisteren. Richard D. James vind ik tot nu toe het beste album.
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met melk meer mans
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01-09-2003, 16:28
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Die "nieuwe naam" die je bedoelt is AFX.
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so young but so cold
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01-09-2003, 22:12
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02-09-2003, 11:12
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ZEKER niet nee..
Dice Man, Powerpill, GAK, Q-Chastic, Blue Calx, Soit-PP, Polygon Window en Caustic Window zijn nog een paar andere pseudoniemen van Richard D. James
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02-09-2003, 12:37
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Goede kerel...duidelijk iemand die muzikaler en creatiever is dan de gemiddelde componist van electronische muziek.
Ik vind zijn eerdere materiaal overigens leuker dan het laatste. Druqks was vrij flauw, er stonden wel een paar goede nummers op maar vooral veel van hetzelfde laken een pak. ...I Care Because You Do is zijn beste album, al komt Selected Ambient Works 85-92 dicht in de buurt. De meeste mensen vinden hem toch vooral leuk om (en kennen hem alleen van) de Come to Daddy en Windowlicker EPs (en hooguit het Richard D. James Album). Dat is toch wat makkelijker in het gehoor liggend.
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02-09-2003, 12:59
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02-09-2003, 13:26
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Check: Kid 606, Nobukazu Takemura, Yoshinori Sunahara, Denki Groove, Druids On Parade, The Fireman.
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kom dans de hoela met mij
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02-09-2003, 14:55
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ik heb "I Care Because You Do" en "Come To Daddy EP"
Wat vinden jullie overigens van het nummer 'Ventolin'? Of 'Bouncing Ball' Supercreatief!
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##SPAM## http://www.infinitetelevision.com ##SPAM##
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02-09-2003, 15:05
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voor de geinteresserden onder ons
Aphex Twin Exploring the experimental possibilities inherent in acid and ambience, the two major influences on home-listening techno during the late '80s, Richard D. James' recordings as Aphex Twin brought him more critical praise than any other electronic artist during the 1990s. Though his first major single "Didgeridoo" was a piece of acid thrash designed to tire dancers during his DJ sets, ambient stylists and critics later took him under their wing for Selected Ambient Works 85-92, a sublime touchstone in the field of ambient-techno. James' reaction to the exposure portrayed an artist unwilling to become either pigeonholed or categorizable. His second Aphex Twin album, Selected Ambient Works, Vol. 2, was so minimal as to be barely conscious in what appeared to be an elaborate joke on the electronic community. Follow-ups showed James gradually returning to his hardcore and acid roots, even while his stated desire to crash the British Top Ten (and perform on Top of the Pops) resulted in a series of cartoonish pop songs whose twisted genius was near-masked by their many absurdities. His iconoclastic behavior surprisingly aligned with MTV audiences turned on to end-of-the-millennium nihilist-pop along the lines of Marilyn Manson and Nine Inch Nails. James began taking apart electronics gear as a teenager growing up in Cornwall, England. (If the title Selected Ambient Works 85-92 is to be believed, it contains recordings made at the age of 14.) Inspired by acid-house in the late '80s, James began DJing raves around Cornwall. His first release was the Analogue Bubblebath EP, recorded with Tom Middleton and released on the Mighty Force label in September 1991. Middleton left later that year to form Global Communication, after which James recorded a second volume in the Analogue Bubblebath series. This EP (the first to include "Digeridoo" got some airplay on the London pirate radio-station Kiss FM, and prompted Belgium's R&S Records to sign him early the following year. A re-recording of "Digeridoo" made number 55 in the British charts just after its April 1992 release date, and James followed with the Xylem Tube EP in June. He also co-formed (with Grant Wilson-Claridge) his own Rephlex label around that time, releasing a series of singles as Caustic Window during 1992-93. Available in cruelly limited editions, most of the recordings continued the cold acid precision of "Digeridoo" though several expressed humor and fragility barely dreamed of in the hardcore/rave scene to that point. The climate for "intelligent" techno had begun to warm in the early '90s, though. The Orb had proved the commercial viability of ambient-house with their chart-topping "Blue Room" single, and R&S scrambled to find useful material from its own artists. In November 1992, James acquiesced with Selected Ambient Works 85-92, consisting mostly of home material recorded during the past few years. Simply stated, it was a masterpiece of ambient-techno, the genre's second work of brilliance after The Orb's Adventures Beyond the Ultraworld. As his star began to shine, several bands approached him to remix their work, and he complied, with mostly unrecognizable reworkings of tracks by St. Etienne, the Cure, Jesus Jones, Meat Beat Manifesto and Curve. Early in 1993, Richard James signed to Warp Records, the influential British label that virtually introduced the concept of futuristic "electronic listening music" with a series of albums (sub-titled Artificial Intelligence) by ambient-techno pioneers Black Dog, Autechre, B12 and FUSE (aka Richie Hawtin) among others. James' release in the series, titled Surfing on Sine Waves, was recorded as Polygon Window and released in January 1993. The album charted a course between the raw muscle of James' nose-bleed techno and the understated minimalism of Selected Ambient Works. A deal between Warp and TVT gave Surfing on Sine Waves an American release (James' first) by the summer. A second album was released that year, Analogue Bubblebath 3, for Rephlex. Recorded as AFX, the LP renounced any debt to ambient music and was the most bracing work yet in the Aphex Twin canon. On a tour of America with Orbital and Moby later that year, James clung to the head-banging material, to the detriment of his mostly unreplaceable gear. He later cut down on his live-performance schedule. In December of 1993, the new single "On" resulted in James' highest chart placing, a number 32 spot on the British charts. The two-part single included remixes by old pal Tom Middleton (as Reload) and future Rephlex star µ-Ziq. Despite James' appearance on the pop charts, his following album Selected Ambient Works, Vol. 2 appeared to be a joke on the ambient-techno community. So minimal as to be barely conscious, the quadruple-album left most of the beats behind, with only tape loops of unsettling ambient noise remaining. The album mostly struck out with critics, but hit number 11 on the British charts and earned James a major-label American contract with Sire soon after. During 1994, he worked on the ever-growing Rephlex stable, signing µ-Ziq (Michael Paradinas), Kosmik Kommando (Mike Dred), and Kinesthesia/Cylob (Chris Jeffs) to the label. In August 1994, he released the fourth Analogue Bubblebath, this one a five-track EP. The year 1995 began with the January release of Classics, a compilation of his early R&S singles. Two months later, James released the single "Ventolin," a harsh, appropriately wheezing ode to the asthma drug on which he relied. I Care Because You Do followed in April, pairing his hardcore experimentalism with more symphonic ambient material, aligned with the work of many post-classical composers including Philip Glass, who arranged an orchestral version of the album's "Icct Hedral" on the August 1995 single, "Donkey Rhubarb." Later that year, the Hangable Auto Bulb EP replaced Analogue Bubblebath 3 as Aphex Twin's most brutal, uncompromising release a fusion of experimental music and jungle being explored at the same time on releases by Plug and Squarepusher. In July 1996, Rephlex released the long-awaited collaboration beween Richard James and Michael Paradinas (µ-Ziq). The album, Expert Knob Twiddlers (credited to Mike & Rich) watered down the experimentalism of Aphex Twin with µ-Ziq's easy-listening electro-funk. The fourth proper Aphex Twin album, November 1996's Richard D. James Album, continued his forays into acid-jungle and experimental music. Retaining the experimental edge, but with a stated wish to make the British pop charts, James' next two releases, 1997's Come to Daddy EP and 1999's Windowlicker EP, were acid storms of industrial drum'n'bass. The accompanying videos, both directed by Chris Cunningham, featured the bodies of small children and models (respectively) dancing around, all with special-effects-created Aphex Twin faces grinning maniacally. James released nothing during the year 2000, but did record the score to Flex, a short Chris Cunningham film exhibited as part of the Apocalypse exhibition at London's Royal Academy. With little warning, another LP, Drukqs, finally arrived in late 2001.
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02-09-2003, 15:06
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Volgens mij heeft'ie zelfs wel teKno nummers gemaakt. En een leuke remix van Underworld's Born Slippy.
Ken nog veel te weinig van hem. Hoe heet dat nummer met die viool en die dnb? Violin Solo ofzo?
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This is my signature. There are many like it, but this one is mine. Without me, my signature is useless. Without my signature, I am useless.
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02-09-2003, 15:43
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die gast draait ook alleen maar intelligente techno
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03-09-2003, 15:17
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03-09-2003, 17:01
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wie had hem eerst live gezien op lowlands, vorig jaar of het jaar dervoor ofzo? seriously, je zou eens een verslag moeten lezen van het sonar festival in barcelona op de site www.love2party.nl en dan het stukje over de set van aphex twin... wacht ik kan het wel even quoten Citaat:
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hieperdepiepp!
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03-09-2003, 20:45
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Q: Can someone here name a band that sounds a lot like Aphex Twin?
A: Yeah, there's this broken Casio in the dumpster behind Radio Shack, just kick it down the stairs, turn it on, and get a parrot to jump on random keys for nine minutes and 32 seconds. Then call it "Jyggrenulow Byouevarn" and sell it.  Maar serieus, ik kan z'n muziek wel waarderen. Alleen had Drukqs geen dubbelalbum hoeven zijn, staat een hoop filler tussen.
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Mein Name ist Joachim von Hassel/Ich bin Pilot der Bundeswehr/und sende Ihnen aus meinem Flugzeug/den Funkspruch den niemand hört
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03-09-2003, 21:11
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Haha... vooral die clip van Window Licker van Aphex Twin is nogal euh ja...
Apart.... haha
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's avonds een vent, 's ochtends absent
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03-09-2003, 22:37
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04-09-2003, 11:06
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Wow, heb gisteren de "Xylem Tube EP" uit 1992 gedownload. Die krijgt zeer zeker een plaatsje tussen m'n Aphex favorieten. Werkelijk geniaal, vooral het eerste nummer: Polynomial-C
Volgens mij een "vinyl-only-release" als ik me niet vergis, of is er iemand die hem op cd heeft?
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04-09-2003, 11:20
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heb idd op lowlands gezien volgens mij in 2001 ?kweenie meer zeker, maar dat was best wel
en voor de rest , de muziek is meesterlijk.
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04-09-2003, 12:00
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Het is alleen jammer dat er zoveel hoaxes in omloop zijn
 Nummers die gemaakt zijn door kneusjes op hun slaapkamer, en onder de naam Aphex Twin op internet gezet worden. 
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06-09-2003, 13:51
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ik vind em dope, maar dat begrijp je natuurlijk wel
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je ne parle pas de la fromage
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06-09-2003, 14:03
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06-09-2003, 14:20
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je ne parle pas de la fromage
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06-09-2003, 14:22
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06-09-2003, 14:27
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maar tis idd verdomd interessant zeg, zouden we familie zijn?
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je ne parle pas de la fromage
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06-09-2003, 14:32
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nope, geen familie in Brabant...
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06-09-2003, 14:35
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okay, dan is het gelukkig toeval
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je ne parle pas de la fromage
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